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Professor Margaret Cohen,Department of English at Stanford University（图）
Department of English at Stanford University Professor British Literature
2015/6/8
Margaret Cohen’s most recent book is The Novel and the Sea (Princeton: Princeton University Press, 2010), which was awarded the Louis R. Gottschalk Prize from the American Society for Eighteenth-Centu...
Professor Alain J.-J. Cohen，Department of Literature Regents of the University of California（图）
Professor Alain J.-J. Cohen Department of Literature Regents of the University of California
2014/1/20
Alain J.-J. Cohen has a pluri-disciplinary and multi-national formation in aesthetics and philosophy, literary theory, psychoanalysis (from Freud and Lacan to today’s current 8 schools of psychoanalys...
The Counterfeiter Begs Forgiveness: Leonard Cohen and Leonard Cohen
Leonard Cohen The Counterfeiter Begs Forgiveness
2014/1/18
Let me say at the outset how pleased and honoured I am to be giving a keynote address at this conference on Leonard Cohen. As I will be mentioning shortly, Cohen's work has suffered from a scandalous...
The Telephone Dance & Mechanical Ecstasy in Leonard Cohen's Beautiful Losers
Beautiful Losers The Telephone Dance snake dances
2014/1/18
The telephone, hitherto so foreboding and powerful, was our friend! It was the agent of some benign electronic deity, and we wanted to praise it. I suppose that certain primitive bird and snake danc...
Beyond Mommy and the Machinery: Leonard Cohen's Vision of Male Desire in Beautiful Losers
Beyond Mommy the Machinery Beautiful Losers
2014/1/18
Let's start with F's "ordinary eternal machinery," which like Deleuze and Guattari's "desiring machines," conceives of the body as a multiple symbolic generator, continually pumping out desire in the ...
Re-membering the Love Song: Ambivalence and Cohen's "Take This Waltz"
Love Song Ambivalence Cohen's "Take This Waltz
2014/1/18
Add to that voice — and its conspicuous hyperbole — the thumping insistence of a barrel-organ oom-pa-pa background, and you wonder what you might salvage, if there's anything to remain after the acid ...
While Leonard Cohen's Beautiful Losers is widely seen as Canada's first postmodern novel (Hutcheon 14, 26-44; Bowering 136-37), the postmodern qualities of Cohen's poetry, and specifically Flowers for...
Cohen's Noos
Cohen's Noos noumenous Hermes
2014/1/18
Every morning, perhaps during breakfast, the muses dance for Zeus' noos, or to his noos. The noos they dance is the "news." They tell Zeus what's going on down there: what wild beast Nemesis has tra...
Writing the biography of a living person is very much like going on a first date: there is the nervousness of the first call; the agony over what to say; the anxiety over what to do. Then, there is t...
Interior Landscapes and the Public Realm: Contingent Mediations in a Speech and a Song by Leonard Cohen
Interior Landscapes the Public Realm a Song
2014/1/18
After a considerable silence, Leonard Cohen reappeared, in '988, with a record called I'm Your Man. Jennifer Warnes had prepared the way with her beautiful, polished renderings of Cohen's songs on Fa...
When I first began in the middle 1960s to read Leonard Cohen, I was a young professor well under the dread age of thirty, and therefore well-placed to enjoy the enthusiasm virtually every student had ...
You Can Call Me Lenny: Ira Nadel's Leonard Cohen: A Life in Art
You Can Call Me Lenny Ira Nadel's Leonard Cohen A Life in Art
2014/1/18
The recent resurgence of academic and popular interest in Leonard Cohen insures that there is a significant market for a Cohen biography. Ira Nadel's Leonard Cohen: A Life in Art (1994) would seem at ...
Neurotic Affiliations: Klein, Layton, Cohen, and the Properties of Influence
Neurotic Affiliations Klein Layton Cohen the Properties of Influence
2014/1/18
I shouldn't be in Canada at all. Winter is all wrong for me. I belong beside the Mediterranean. My ancestors made a terrible mistake. But I have to keep coming back to Montreal to renew my neurotic af...