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Deleuzian sensation and unbounded consciousness in Anna & Corrina Bonshek’s Reverie I (2002)
Deleuzian sensation unbounded consciousness Reverie
2009/7/15
The work Reverie I (2002) by Anna and Corrina Bonshek has a special significance when considered against the philosophy of Gilles Deleuze in which he proposes the idea that art is experienced as 'sens...
Marking and crossing borders：bodies, touch and contact in cyberspace
bodies contact touch cyberspace
2009/7/15
Crossing borders and removing borders currently dominate cultural and scientific debate to an ever greater degree [1]. The human body stands as a particular focus of interest in all this. The traditio...
Disability and Contemporary Performance：Bodies on Edge
Contemporary Performance Bodies on Edge
2009/7/15
In the first chapter of Disability and Contemporary Performance, Petra Kuppers asks her readers to consider a turtle. Citing Walter Benjamin's account of the flâneur who allowed his turtle to se...
Do You Make Art Because You Are an Artist, or You Are an Artist, Because You Make Art?
mathematics-derived art representational versus abstract image use of metaphors data visualization through art electronic image production quality
2009/7/15
This perspective is based on an artist's experience where coding is a part of artistic creation. It is aimed to explore how Art and Mathematics complement one another and how we can enhance the aesthe...
Transient Systems of Communication - the processual space of interactive installation art
digital installation art multimedia phenomenon Transient Systems of Communication
2009/7/15
In the course of this paper, I want to outline the main cornerstones of my theoretical approach towards a new understanding of interactive digital installation art. Interactive installation art is a v...
FRUITION：perceptual time gap as location for knowledge - Mnemonic Present Un-folding
art practice perceptual time gap
2009/7/15
In developing my practice/research I analyse the interchange that takes place between audience and performer from within the paradigm. My own art practice is grounded in Merleau-Pontì's concept of chi...
Body-screenographies, jumping back to leap forward
Body-screenographies choreographic research choreograph
2009/7/15
Whether it is of bodies, light, sound, natural or simulated forces, movement has been and continues to be, my subject of choreographic research [1]. Today, this research results in artistic projects w...
Capturing the Space Doppëlganger @ the New Art Gallery Walsall
digital technology film drama
2009/7/15
There can be little question that digital technology holds out as yet undreamed of opportunities for dance, and especially for contemporary dance. It is not, for example, like film, which did so much ...
A text in response to The Jesus Guy, a theatrical performance written and directed by Julia Lee Barclay and performed by Bill Aitchison, Lukas Angelini, Zoe Bouras, Rachel Ellis, and Theron Schmidt wi...
Acoustic/Electric：A reflective performance document of an experiment in co-creation
Costume Voice vocal sound
2009/7/15
This combination of video excerpts and reflective commentary explores the realisation of the 2004 piece Acoustic/Electric, a three-hour long living installation performance, at the Diapason Sound Art ...
The Body in Contemporary Performance：a comparative and personal response to Nigel Jamieson's Honour Bound and Version 1.0's Wages of Spin
Contemporary Performance Nigel Jamieson Honour Bound
2009/7/15
Many contemporary performances were staged throughout Sydney in 2006. This paper concentrates on two of these that I saw in close succession: Nigel Jamieson’s Honour Bound, which I saw at the Sydney O...
The imaginary of the networked, augmented self is unitary, but the real practice of this multi-identity self, this multiplicity of being in the cybernated, social database, is far from a cohesive, org...
Book Review Performance and Technology：Practices of Virtual Embodiment and Interactivity（图）
Performance Technology Virtual Embodiment Interactivity
2009/7/15
Broadhurst, Susan & Machon, Josephine. Eds. Performance and Technology: Practices of Virtual Embodiment and Interactivity, Basingstoke: Palgrave Macmillan, 2006. ISBN 1403999074. 203 pp. £45.00
Portrait of A City A Review of Matt Roberts’Transfers
Portrait Matt Roberts Matt Roberts’Transfers
2009/7/15
"Transfers" by Matt Roberts, Assistant Professor of Art and Program Director of Digital Arts at Stetson University, an interactive car ride of abstract visualization and John Cage-like musical perform...
Cortical Songs：Musical Performance Events triggered by artificial spiking neurons
Cortical Songs sensory information Musical Performance Events
2009/7/15
The majority of the processing of sensory information in our brains is thought to take place in the Cerebral Cortex, which contains a population of billions of neurons, each making thousands of synapt...