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Shadows and Bogeymen:Horror,Stylization and the Critical Reception of Orson Welles during the 1940s
Critical reception horror Orson Welles studies of film genre and authorship
2009/11/27
The article discusses Welles’s critical reception during the 1940s, and demonstrates the ways in which he was understood as a horror star. In the process, it argues that his films illustrate the close...
Get a Real Job:Authenticity on the Performance,Reception and Study of Celebrity
authenticity politics celebrity fans public opinion
2009/11/27
This paper considers the place of attraction within debates on normative citizenship. Reconsidering my research on public reactions to UK Tory MP Boris Johnson, I ask if apparently superficial commen...
Going with the Flow:Ethnography & Dialogism in the Reception of Brazilian Telenovelas
telenovelas everyday life ethnography flow dialogism
2009/11/27
Brazilian soap-operas or telenovelas are a national passion: broadcast at prime-time, six days a week, watching telenovelas is part of the daily practices of millions of Brazilians. Most research on t...
The Trans-National Reception of Literature:The Reception of French nationalism in Germany
reception theory naturalism Zola German literary culture
2009/11/27
Reception theory, despite its influence, has been criticised for its lack of attention to the social contexts of reception. It has also mainly been applied within one national context. This essay ex...
"A New Formula for High Art": The Genesis and Reception of Marcello's Pythia(图)
A New Formula for High Art The Genesis and Reception Marcello's Pythia
2009/11/20
Shortly after the opening of the celebrated Paris Opera, the architect Charles Garnier (1825–1898) published an extraordinarily detailed account of the history of the building, in which he discussed m...
Victorian values: the roles of reception theory in the construction of taste in the context of regeneration practice
Victorian values reception theory
2009/11/20
The Museum as the context for the 'correct' interpretation of the artefact poses unique problems for the researcher and for the visitor. Every museum has its own particular approach to the curation of...
The Reception of Overtone Singing by Uninformed Listeners
Overtone singing ethnomusicology pitch perception psychoacoustics reception cultural studies
2008/10/30
Background in acoustics and psychoacoustics. Overtone singing is a vocal technique by
which a single source produces two melodic pitches simultaneously. When an unprepared
listener hears a recording...
Hero or Has Been?Mendelssohn Reception in England and Germany in the 1840s
Mendelssohn Hero Has Been England Germany
2008/10/24
Central to the generally accepted picture of Mendelssohn reception is the notion that his reputation declined sharply in the years following his death in 1847. From the 1960s to the present, Mendelsso...
Theory Reception in China: Report on Journals of Central Conservatory and Shanghai Conservatory of Music
Central Conservatory Shanghai Conservatory journals China
2010/4/21
[1] The Central Conservatory (established 1950) and Shanghai Conservatory (established 1927), now generally recognized as China's top two conservatories of music, started their journals in 1980 and 19...