搜索结果: 1-15 共查到“音乐 perception”相关记录19条 . 查询时间(0.069 秒)
A simpler explanation for vestibular influence on beat perception: No specialized unit needed
rhythm perception beat induction entrainment audiogravic
2010/9/26
Some researchers have hypothesized the existence of a specialized brain
unit for beat perception in music which is directly influenced by vestibular stimulation
arising from motion. They also sugges...
The Doors of Consciousness and Perception How Languages Play Special Songs
Special Songs Perception Languages Play onsciousness
2008/11/10
In 1998 I interviewed 30 Haida people in my own community, asking questions about the role of the arts in the revitalization of our indigenous society. The Native Elders would not or could not disting...
Commentary on "Perception and production of linguistic and musical rhythm by Korean and English middle school students"
rhythm meter language cross-cultural methodology
2010/9/26
Interest in possible cultural influences on basic rhythm perception and production has been
growing, and the paper by Slobodian (2008) fits squarely in this trend, studying rhythm perception and prod...
Perception and production of linguistic and musical rhythm by Korean and English middle school students
cross-cultural experimentation rhythm meter perception language
2010/9/26
I examine rhythmic tendencies of Korean and Western middle school
students in linguistic and abstract musical contexts using a series of speaking and
clapping experiments. Results indicate a prefere...
Associative Structure in the Perception of Music:The Case of Turkish ‘Yanık’ (scorched)
Perception of music associative structure the bitter-sweet feeling Turkish ‘yanı k’(scorched)
2008/10/30
The term yanık, a desired quality of
music, is one of the most important aspects of
Turkish response to music in terms of the
perception of meaning. As a discourse of sentiment,
yanık ...
Commentary on “The Perception and Cognition of Time in Balinese Music” by Andrew Clay McGraw
experimental method non-western music collaborative research
2010/9/26
We review the paper by Andrew Clay McGraw, noting that it represents an interesting and valuable contribution to the study of music in cognition in its informed exploration of non-western musical perc...
The Perception and Cognition of Time in Balinese Music
Bali gamelan time perception cognition
2010/9/26
This article describes experiments designed to determine the perception
and cognition of time-in-music among Balinese gamelan musicians. Three topics are
discussed. First, the proposed connections b...
Commentary on “The Potential of the Internet for Music Perception Research: A Comment on Lab-Based Versus Web- Based Studies” by Honing & Ladinig
Internet-based experimenting empirical experimental method
2010/9/26
The use of web-based data collection raises fundamental issues impinging
on reliability and validity of test results, as well as important ethical (and potentially
legal) issues such as informed con...
The Potential of the Internet for Music Perception Research: A Comment on Lab-Based Versus Web-Based Studies
Internet-based experimenting empirical experimental method
2010/9/26
While the discussion on the integrity of data obtained from Webdelivered
experiments is mainly about issues of method and control (Mehler, 1999;
McGraw et al., 2000; Auditory, 2007), this comment st...
A Response to Cross & Rohrmeier’s ‘Comments on Facilitation and Coherence Between the Dynamic and Retrospective Perception of Segmentation in Computer-Generated Music’
music perception segmentation cognitive discrimination computer music
2010/9/26
The commentary by Cross and Rohrmeier (2007) attempts to locate our
paper (Bailes and Dean, 2007a) as a study of timbre, and points out the ongoing
development of research in this area, including at...
Comments on “Facilitation and Coherence Between the Dynamic and Retrospective Perception of Segmentation in Computer-Generated Music,” by Freya Bailes and Roger T. Dean
music perception segmentation cognitive discrimination computer music timbre
2010/9/26
Although the study by Bailes & Dean (2007) addresses an underresearched
area of auditory and musical perception, it raises questions concerning
stimuli, methodology, and the study's relation to prev...
Facilitation and Coherence Between the Dynamic and Retrospective Perception of Segmentation in Computer-Generated Music
music perception segmentation cognitive discrimination computer music
2010/9/26
We examined the impact of listening context (sound duration and prior
presentation) on the human perception of segmentation in sequences of computer
music. This research extends previous work by the...
Embodied Rhythm: Commentary on "The Contribution of Anthropometric Factors to Individual Differences in the Perception of Rhythm" by Neil P. McAngus Todd, Rosanna Cousins, and Christopher S. Lee
rhythm embodiment resonance
2010/9/26
Todd, Cousins, and Lee (2007) have presented some intriguing data
suggesting that body size, as measured by standard anthropometric indices, is related to
the preferred beat period in a perceptual t...
The Contribution of Anthropometric Factors to Individual Differences in the Perception of Rhythm
rhythm perception beat induction anthropometrics
2010/9/26
In a sample of 44 human subjects, aged between 18 and 38 years, two
distinct measurement procedures were carried out: (1) a psychophysical procedure to
determine ‘preferred beat rate’ and (2) standa...
Commentary on Cook & Fujisawa's "The Psychophysics of Harmony Perception: Harmony is a Three-Tone Phenomenon"
harmony psychoacoustics consonance dissonance perception
2010/9/26
Cook & Fujisawa (2006) point out that, contrary to the predictions of
psychoacoustic models, the diminished triad is more consonant and prevalent in
western tonal music than the augmented. A possibl...